《京尘杂录》与民间戏曲史书写中的礼俗教化

Collectanea of Worldly Affairs in Peking(《京尘杂录》)and the Confucian Humanization in Private Writing of History of Traditional Chinese Opera

《京尘杂录》是清代戏曲爱好者杨懋建的代表作,书中记录了嘉庆末至道光年间的伶人生平、艺术成就以及梨园掌故。该书在编纂上安排得当,在撰述上按实而书,集前代著述之长而自成一格,以伶人事迹为鉴,引导民众践行忠孝廉节传统道德,寄托了作者维护君臣父子尊卑秩序的政治愿望。在儒家政治的需要下,由在乡之士自发撰写的戏曲史籍化为具有教化意义的符号,凭借其自身对民众的影响力,潜在地参与着国家礼制的构建与礼治目标的实现,坚韧地发挥着维持民间秩序的社会功能。

Collectanea of Worldly Affairs in Peking(《京尘杂录》) is the magnum opus of Yang Maojian(杨懋建) who was a traditional opera lover in Qing Dynasty. This book has recorded the life and achievements of actors and anecdotes of the operatic circle during the later years in Jiaqing reign and the years in Daoguang reign. It is compiled properly and written straight, which is learned from predecessors’ s writings, but has its own style. Also, it aimed to lead people to practice traditional ethics by taking history as a mirror, which is pinned on author’s political aspiration. To accommodate actual needs of the Confucian politics,historical records of traditional Chinese opera written by the folk intelligentsia had become symbols of Confucian Humanization to take part in constructing the framework of etiquette system potentially and perform the social function of maintaining the order tenaciously by their influence power to people.