国产低成本喜剧电影的网状叙事与情感表达策略

Network Narratives and Emotional Expression Strategies of Chinese Low-budget Comedy Films

新世纪以来,随着社会转型的深入和文化语境的变迁,国产低成本喜剧电影以独特的观察视角、艺术审美倾向以及充满荒诞、戏谑、质朴的创作风格,赢得了亿万观众的喜欢与热捧。以网状叙事为特征的宁浩"疯狂系列"大放异彩,饶晓志以《无名之辈》再续辉煌,向世人展现了这种类型电影独特的艺术魅力。事实上,国产低成本喜剧电影多以网状叙事结构来呈现身处社会底层、林林总总的"小人物"的悲喜人生,他们多样化的"烦恼人生"再现了人性的多面性与复杂性,继而引发人们对日常生活中"小人物"的二次定义与再思考;与此同时,其多维度呈现情感的表达策略,有力地提升了电影本身的情感张力和叙述效能,从而为当前国产喜剧电影提升艺术表现力提供了可供借鉴的模式与经验。

With the deepening of social transformation and the change of cultural context,domestic low-budget comedy films have won the favor of hundreds of millions of viewers with their special viewing angle and aesthetic tendency as well as the creative style full of absurdity,jokes,and simplicity since the beginning of the 20th century.Ning Hao’s“Crazy Series”,which is characterized by network narratives,shined at that time;at present,Rao Xiaozhi’s film“A Cool Fish”has continued to shine,showing the world the special artistic charm of this type of film.In fact,Chinese low-budget comedy films mostly use network narratives to present the sad and joyous lives of“nobody”who are at the bottom of society,and to reproduce the multi-facetedness and complexity of human nature through their diverse“worried lives”,therefore raising the secondary definition and rethinking of“nobody”in the daily life.Moreover,its multi-dimensional expression of emotions effectively improves the emotional tension and narrative efficiency of the film,thus providing a model and experience for the current domestic comedy films to improve their artistic expression.