摘要
《尸变》是《聊斋志异》中尚未被广泛关注且极具文学价值的篇目,听觉叙事是其艺术魅力的主要体现,本文从"真实与虚构""感性与理性""恐惧与愉悦"这三个层面切入,以叙事结构、叙事修辞和恐怖美学三个维度作为理论框架,分析《尸变》中的听觉叙事。笔者通过揭示蒲松龄匠心独运的小说创作技艺,以期为听觉叙事理论建设抛砖引玉,为恐怖小说与恐怖电影的创作和接受带来一定的现实意义。
In Strange Tales from a Chinese Studio,Living Dead is of literary value but without due attention,whose acoustic narrative can mainly express artistic charm.This thesis uses“reality and fiction”,“sensibility and reason”and“fear and pleasure”to explore Living Dead’s narrative structure,narrative rhetoric and aesthetics of terror.The analysis of Pu Songling’s narrative technique not only contributes to auditory narrative theory,but only bring a certain practical significance to the creation and acceptance of horror novels and horror films.
作者
王拓
Wang Tuo(Shanxi Normal University College of liberal arts,xian 710100,China)
出处
《蒲松龄研究》
2020年第2期61-70,共10页
Study on Pu Songling
关键词
尸变
听觉叙事
叙事结构
叙事修辞
恐怖美学
Living Dead
acoustic narrative
narrative structure
narrative rhetoric
aesthetics of terror
