摘要
神主碑是四川地区清代民间墓碑最常见的形制之一,其造型遵循标准的碑帽、碑身、碑座三段式结构。碑帽在半圆形的拱顶式基础上又演变出卷云式、窃曲式等造型样式,并以不同的工艺手段和主题内容进行装饰。碑帽的装饰是民间匠师对中国传统适合纹样的基本法则和形式规律的熟练应用,其端庄的造型、精美的纹饰、丰富的题材、精巧的工艺可谓中国民间美术和传统艺术中最有意味的形式之一。
The Shenzhu stele is one of the most common forms of folk tombstones in the Qing Dynasty in Sichuan,and its shape follows the standard three-stage structure of cap,body,and pedestal.Based on the semi-circular vaulted style,the stele cap has evolved into cirrus clouds shape,Qiequ styles and other shapes,and had been decorated with different craftsmanship and theme content.The decoration of the stele cap is a skilled application of the basic rules and formal regulation of traditional Chinese patterns suitable for patterns by folk craftsmen.Its dignified shape,exquisite decoration,abundant themes,and exquisite craftsmanship can be described as one of the most "meaningful forms" of Chinese folk art and traditional art.
作者
张超
郭泽宇
ZHANG Chao;GUO Zeyu
出处
《艺术探索》
2020年第3期47-55,共9页
Arts Exploration
基金
国家社科基金项目“清代四川地区民间墓葬建筑艺术考察与研究”(19FYSB045)
教育部人文社科项目“巴蜀地区明清石构建筑实测和口述文献数据库建设与研究”(19YJA760042)
重庆师范大学重大重点培育项目“‘湖广填四川'移民地区明清墓葬建筑艺术数据库建设与研究”(17ZDPY01)。
