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继承、创新与演变:2015年以来的香港电影

Inheritance,Innovation and Evolution:Hong Kong Movies since 2015
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摘要 2015年以来的香港电影,可以从类型片与文艺片两个方面来加以讨论。前者由各种类型电影所组成,而后者则是广义的艺术电影。五年来的类型片包含警匪、黑帮、武侠/功夫、喜剧、爱情、奇幻/科幻、青春、鬼怪、体育、歌舞等大大小小的类型,其中的一些作品,在香港本土,尤其是内地,取得了相当不错的票房业绩,并荣获一些重要奖项。而文艺片方面,除了许鞍华、陈果等资深导演之外,一些新导演开始崛起,其作品颇受好评。两大类影片均显现出继承与创新并存的特征,而类型电影在意识形态方面的内地化与文艺片在题材与主题方面表现出的高度本土化,更成为近年来港片的标识性特征。这种趋势的萌发,应该不晚于CEPA的实施,在可见的未来也会继续存在。 Hong Kong movies since 2015 can be discussed from two aspects:genre and literary movie.The former is composed of various types of movies,while the latter is a broad art movie.In five years,genre films include police and gangsters,gangsters,martial arts / kung fu,comedy,love,fantasy / sci-fi,youth,ghosts,sports,singing and dancing.Some of these works are in Hong Kong,especially the mainland have achieved quite good at the box office and won some important awards.In terms of literary films,in addition to senior directors such as XU Anhua and CHEN Guo,some new directors have begun to rise,and their works have been well received by audiences.Both types of films show the characteristics of co-existence of inheritance and innovation.The ideological internalization of genre movies and the high localization of literary movies in terms of subjects and themes have become the signature features of Hong Kong movies in recent years.The rise of this trend should be no later than the implementation of CEPA,and will continue to exist in the foreseeable future.
作者 吴涤非 WU Difei
出处 《艺术探索》 2020年第3期111-120,共10页 Arts Exploration
关键词 香港电影 类型片 文艺片 两极化 Hong Kong movies Genre movies Literary movies Polarization
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