论周作人笔下的东京形象

The Image of Tokyo in Zhou Zuoren’s Writings

周作人笔下的东京形象既是自我的社会镜像,又是建立在民族复兴意义上的日本文化和生活想象。周作人在个人性分与民族古昔里找到了与东京日常生活的契合点,对落语、川柳、浮世绘等的接受确立了他介入五四新文学的角度和姿态。民俗、遗传和国粹则是另外形式的"日常生活"。周作人的东京形象重构是在日常生活中形成的对自我与他人或自我与世界的调适风度。在反抗与革命的框架下,周作人别构了日常生活的现代性空间。

The image of Tokyo is Zhou Zuoren’s writings is both a social mirror and a cultural imagination based on the national rejuvenation.Influenced by environment,Zhou found an agreement between himself and Tokyo’s daily life.His acceptance of Japan’s literary forms as Luoyu,Chuanliu and Fushihui determined his approach and stance towards the new literature in May 4th Movement.Japan folklores,heredities and national treasures are part of his daily life.The reconstruction of Tokyo’s image is a compromise between the self and others or self and others formed in daily life.Zhou constructed special space of modern life in the frame of revolution and rebellion.