摘要
将纳博科夫《黑暗中的笑声》放置在消费文化语境下,在伊利格瑞女性主义理论关照下,聚焦玛格的身体,提出女性身体的双重消费——被“物化”“符号化”。但女性的自我主体性使她们能利用自己的身体以及魅力冲出桎梏,用自己的女性特质消解男性权威,赢得话语权,实现女性在男权范式下的反抗与崛起。
This paper puts Nabokov’s Laughter in the Dark in the context of consumer culture,using Irigaray’s feminist theory of female body that women are commodities as well as focusing on the body of Marg,and proposing that female body has been double consumed:“materialized”,and“symbolicized”.But woman’s subjectivity leads to their self-liberation and freedom with the help of their bodies.Female finally won discourse power with their own femininity and dispelled male authority under the patriarchal paradigm with the help of their own body and charm.
作者
张培培
Zhang Peipei(Bozhou No. 32 High School,Bozhou, Anhui 236800,China)
出处
《安徽理工大学学报(社会科学版)》
2020年第3期46-50,共5页
Journal of Anhui University of Science and Technology:Social Science