摘要
麦积山石窟第12窟开凿于隋代,窟顶壁画为明代重绘,主要内容为鬼子母因缘和释迦牟尼涅槃,其中的揭钵图是对中土自宋元开始流行的这一图像的继承和发展,是麦积山唯一的鬼子母因缘壁画。
Cave 12 at the Maijishan Grottoes was built in the Sui dynasty.The ceiling murals were repainted in the Ming dynasty and mainly depict the karma of Hariti and the nirvana of Shakyamuni Buddha.The scene of“raising the alms-bowl”in the murals,an image that shows the inheritance and development of the same theme since the Song and Yuan dynasties in the Central Plains,is the only image about the karma of Hariti in the murals of the Maijishan Grottoes.
作者
张铭
ZHANG Ming(School of Archaeology and Museology,Peking University,Beijing 100871;Art Institute of Maijishan Grottoes,Dunhuang Academy,Tianshui,Gansu 741020)
出处
《敦煌研究》
CSSCI
北大核心
2020年第3期63-70,共8页
Dunhuang Research
基金
国家社科基金项目“丝绸之路甘肃段石窟寺类文化遗产价值研究”(16XKG006)。
关键词
麦积山石窟第12窟
涅槃
鬼子母
揭钵图
《杂宝藏经》
Cave 12 at the Maijishan Grottoes
mahaparinirvana
Hariti
“raising the alms-bowl”
Sutra of Miscellaneous Jewels
