摘要
在中西文化交融的时代背景下,王国维在吸收老庄、邵雍等人为代表的中国美学思想的基础上,选择性地接受叔本华、康德等人为代表的西方美学思想,形成了具有中西结合色彩的、具有超越性意义的审美理论。王国维审美观的创新性不仅体现在对中国儒家美学的功利化进行了一定的矫正,还表现在对西方“美在形式”说的发展。其美学理论在中国美学研究领域具有重要的意义。
Under the background of the integration of Chinese and western cultures,Wang Guowei had absorbed Chinese aesthetic thoughts represented by Lao Zhuang and Shao Yong,and selectively accepted the western aesthetic thoughts represented by Schopenhauer and Kant,and finally formed the aesthetic theory with the integration of Chinese and western cultures and transcendental significance.The innovation of Wang Guowei’s aesthetic judgment was not only reflected in the utilitarian correction of Chinese Confucian aesthetics,but also in the development of the western Theory of Beauty in Form,which has been of great significance in the field of Chinese aesthetic research.
作者
张婉荣
ZHANG Wan-rong(School of Chinese Language and Literature,Xinjiang Normal University,Urumqi Xinjiang 830001,China)
出处
《菏泽学院学报》
2020年第3期104-107,共4页
Journal of Heze University
关键词
王国维
审美理论
区别
境界说
Wang Guowei
aesthetic theory
difference
Realm Theory