“人伦日用”内涵下的明代男子巾类造型艺术

Plastic Arts of Men's Towels in Ming Dynasty under the Connotation of"Human Relations and Daily Use"

通过文献资料和传世画作相结合的研究方法,将明代男子巾类造型进行类型化分析,释读出其均衡和谐、简炼整洁的基本特征,探究不同造型在"人伦日用"内涵下的重复性造物思维和具体表现、有序与失序的等级格局等特征。由此得出,明代男子巾类造型艺术不仅涉及造物伦理,还与明代佩戴者的阶级身份、文化习性等因素有关。

Through the combination of literature materials and paintings,the shapes of male towels in the Ming Dynasty was typed and analyzed,and the basic features of its balance,harmony,conciseness and neatness were interpreted.The characteristics of repetitive creative thinking and concrete expression,the ordered and disordered hierarchical patterns of different their shapes were explored under the connotation of"human relations and daily use".It is concluded that the man's towel shaping art in the Ming Dynasty not only involved the creation ethics,but also related to the identity class and cultural habits of the wearer in the Ming Dynasty.