摘要
80年代,马原以独特的叙述形式在文坛上异军突起,创造了其特有的“叙述圈套”。建立在主观现实的基础上,内容和形式的双重陌生化,增强了感受难度、延长了体验过程,使阅读体验更加神秘。在阅读过程中,读者被马原所设计的种种“圈套”所“诱惑”,从而使阅读和审美的过程被放大,回归到体验本身。同时,文本叙述所产生的张力和留白,也给予了读者更多自我阐释和想象的空间,读者在接受马原的同时,也延展了自己的思绪与经验。
In the 1980s,Ma Yuan created his unique“narrative trap”with his unique narrative form.Based on the subjective reality,the dual de familiarization of content and form enhances the difficulty of perception,prolongs the experience process and makes the reading experience more mysterious.In the process of reading,readers are“seduced”by various“traps”designed by Ma Yuan,thus amplifying the process of reading and aesthetics and returning to the experience itself.At the same time,the tension and blank space generated by text narration also give readers more space for interpretation and imagination.While accepting the thoughts of Ma Yuan,readers also extend their thoughts and experiences.
作者
张益智
高何颖
ZHANG Yi-zhi;GAO He-ying(College of Literature and Journalism,Sichuan University,Chengdu 610065,China;College of Law,Shanghai University of International Business and Economics,Shanghai 201620,China)
出处
《昭通学院学报》
2020年第1期59-63,共5页
Journal of Zhaotong University
关键词
马原
陌生化
冈底斯的诱惑
读者
Ma Yuan
Defamiliarization
the temptation of the Kailas
Reader