论戏曲“做”“唱”的传承

Research on the Heritage of Opera“Acting”and“Singing”

戏曲“唱念做打”四功中,“做”“唱”有着密不可分的关系,是我国戏曲文化的重要组成部分。随着社会生活的快节奏化,戏曲表演只重视唱功、忽视做功的情况屡有发生,戏曲的传承出现了断层、脱轨现象。因此,对戏曲“做”“唱”关系进行挖掘研究也必然会对戏曲的传承产生积极作用。将搜集到的资料进行取舍、整合、分类,并从戏曲“做”“唱”关系入手,探讨其对戏曲传承的意义。采用推动、延续、完善等手段,保护戏曲的传承,是我们整个戏曲遗产中极其重要的组成部分,必须正确地加以继承和发展。

In the four works of the opera“singing,reading,acting and playing”,“acting”and“singing”have an inseparable relationship and are an important part of Chinese opera culture.With the rapid pace of social life,the performance of drama performances only pays attention to singing and neglectes acting.The inheritance of opera has appeared the phenomenon of fault and derailment.Therefore,the research on the“acting”and“singing”relationship of the opera will inevitably have a positive effect on the inheritance of the opera.This paper integrates and classifies the collected data,and starts with the relationship between“acting”and“singing”in the opera to explore the significance for the inheritance of the opera.Adopting the means of promotion,continuation and improvement to protect the inheritance of the drama,the opera“acting”and“singing”relationship is an extremely important part of our entire opera heritage and must be correctly inherited and developed.