摘要
阿尔寨石窟壁画是北方游牧美术史上的一个典型个案,它丰富的图像信息是我们研究藏传佛教史、美术史的重要资料,具有极高的史学价值。然而,经历千年岁月侵蚀的壁画日渐模糊,在传统保护方式(原址保护、整体搬迁和揭取保护)均存在这样或那样的瓶颈时,摹复教学的实践研究开启了壁画保护、展陈方式变革的全新模式。
The murals of the Altaic Grottoes are a typical case in the history of northern nomadic art.Its rich image information is an important material for us to study the history of Tibetan Buddhism and art history,and has extremely high historical value.However,the murals that have been eroded over thousands of years have become increasingly blurred.When traditional protection methods(in-situ protection,overall relocation,and uncovering protection)all have bottlenecks of one kind or another,the practical research on the teaching of reproduction(copy)has opened up the reform of mural protection and brand new exhibition methods.
作者
王志伟
WANG Zhi-wei(Hetao College,Bayannur,Inner Mongolia 015000,China)
出处
《教育教学论坛》
2020年第26期177-179,共3页
Education And Teaching Forum
关键词
阿尔寨石窟壁画
《成吉思汗家族图》
临摹
教学实践
murals of Altaic Grottoes
Picture of the Genghis Khan Family
reproduction(copy)
teaching practice