《清史演义》的叙事聚焦

The Narrative Focus of the Romance of Qing Dynasty

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作者吴英格 WU Ying-ge

机构地区不详

出处《内蒙古民族大学学报（哲学社会科学蒙古文版）》 2019年第4期40-46,共7页 Journal of Inner Mongolia Minzu University:Philosophy Social Sciences Mongolian Edition

参考文献2

1Dan Shen, “Breaking Conventional Barriers: Transgressions of Modes of Focalization,” in Willie van Peer and Seymour Chatman (2001), 159-172.
2Dan Shen, “Defense and Challenge: Reflections on theRelation between Story and Discourse,”Narrative, 10(2002) : 422-443.
3Dan Shen, “Difference Behind Similarity: Focalization in First-Person Narration and Third-Person Grater of Consciousness“ in Acts of Narrative, edited by Carol Jaeohs and Henry Nksmlan, 81-92 (Stanford: Stanford UP, 2003).
4Paul Simpson, Language, Ideology and Point of View(London: Routledge, 1993).
5F. K. Stanzel, A Theory of Narrative (Cambridge:Cambridge UP, 1984).
6Boris Uspensky, A Poetics of Composition (Berkeley: University of California Press, 1973).
7Willie van Peer and Seymour Chatman, eds., New Perspectives on Narrative Perspective (Albany: State University of New York Press, 2001 ).
8Robyn Warhol, “The Look, the Ptxty, and the Heroine of Persuasion, ”in Ambiguous Discourse: Feminist Narratology and British Women Writers, edited by Kathy Mezei (Chapel Hill: University of North Carolina Press,1996), 21-39.
9William Nelles, “Getting Fcw..alization into Focus,” Poetics Today, 11 : 2 (1990):365-382.
10Patrick O'Neill, Fictions of Discourse : Reading Narrative Theory (Toronto: University of Toronto Press,1994).

2019年第4期

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