摘要
晚清传奇作家李文瀚的《味尘轩四种曲》是传奇锐变期较为重要的作品,学界对其解读存在一定拔高与误读的情况。结合李文瀚生平将其传奇文本细读研究可知,《味尘轩四种曲》的创作与李文瀚的仕途理想紧密相联。其思想由"遣怀"而渐进"治狱",又由"治狱"而走向"治世"。在晚清动荡不安的时代背景下,其四种曲中尖新奇峭的关目情节里存在对时政的怀疑与思辨,但最终都指向了传统儒家价值观的精神世界。
The Anhui-based legendary writer Li Wenhan's Four Kinds of Melodies in Weichenxuan,as a more important work in the period of legendary change,its research is still insufficient,and there are even misunder⁃standings.Combining Li Wenhan's life and carefully studying the legendary texts,it can be seen that the creation of Four Kinds of Melodies in Weichenxuan is closely linked to Li Wenhan's career ideals.His thoughts gradually evolved from"dismissal"to"rule",and from"rule"to"rule".In the context of the turbulent times of the late Qing Dynasty,the seemingly pungent scenes in the legends also occasionally had doubts and speculations on current pol⁃itics,but they all eventually pointed to the spiritual world of traditional Confucian values.
作者
路露
LU Lu(School of Liberal Arts,Nanjing University,Nanjing,Jiangsu 210023)
出处
《玉林师范学院学报》
2020年第2期24-29,共6页
Journal of Yulin Normal University
基金
教育部人文社会科学研究青年项目“清代江南戏曲生活研究——以常州剧坛为例”(18YJC760026)。
关键词
李文瀚
味尘轩四种曲
晚清传奇
创作研究
Li Wenhan
Anhui Qu writer
Four Kinds of Melodies in Weichenxuan
legends in the late Qing Dynasty
creative research