明清白话小说题壁诗的“场景还原”与“精神探原”

Scene Restoration and Spiritual Exploration in the Inscription Poems of Vernacular Novels in the Ming and Qing Dynasties

明清白话小说中大量的题壁诗是小说人物流动到某一地时因所见、所感、所想而题于“壁”之诗,是小说人物地域流动的特殊标识。因不同原因而题于公共空间与私密空间之壁的诗,或“因地题诗”,侧重该空间眼前自然、人文景观、历史人物及事件;或“因事题诗”,侧重题诗者自身的遭际及由此引发的情感。因载体的特殊性及空间的公共性,“壁”诗进入阅读者的视野,其召唤与陈述功能得到认同和回应,从而引起小说人物的进一步行动。从文学地理学角度探究小说中的题壁情节可以进一步促进小说与诗歌关系的研究。

In vernacular novels of Ming and Qing Dynasties there are a large number of inscription poems written on the walls of public and private space for different reasons,in which the characters write what they see,feel and think on the wall because of their movement to a certain place.Its the special marks of the character's regional flow.Among the poems for different reason on the wall of public and private spaces,poems about the place focus on the natural,cultural landscape and historical figures and events in front of the scen;poems about matters focus on the poet's own experience and the emotions caused by it.Because of the particularity of carriers and the publicity of space,wall poems have entered the readers horizons,and their calling and statement functions have been recognized and responded to,thus causing further actions of the characters.Exploring the wall-inscribed plots in fiction from the perspective of literary geography can further promote the study of the relationship between fiction and poetry.