摘要
如何突破拗救难题,堪称格律诗词学习中的关键难点。其实,拗救理论并非想象中那样复杂,只要删繁就简,就可以归结为三种方式。王力先生《诗词格律》对拗救的解析失于繁琐,而另外一些学界或诗界人士的解析又相互抵牾,倍增纷扰。更有甚者,想要从源头上否定唐代以来拗救在实际创作领域的存在。理论上的纷纭乱象亟待廓清,否则,将不利于诗词格律的教学,也不利于诗词文化在当代的传承。
How to break through the problem of rescue can be called the key difficulty in the study of metrical poetry.In fact,the theory of rescue is not as complex as it is imagined.As long as it is simplified,it can be reduced to three ways.Mr.Wang Li's interpretation of it in his Poetry and Rhythm is not concise,but the analyses of other scholars or poets contradict each other,doubling the confusion.Some even want to deny its existence in real creative field since Tang Dynasty.The theoretical chaos must be cleared up.Otherwise,it will not be conducive to the teaching of metrical patterns,nor to the inheritance of poetic culture in the contemporary era.
作者
侯立兵
HOU Libing(Chinese Department,Guangdong University of Education,Guangzhou,Guangdong 510303,China)
出处
《岭南师范学院学报》
2020年第3期23-28,55,共7页
Journal of Lingnan Normal University
关键词
拗救
格律
诗词
平仄
商榷
rescue
rhythm
poetry
tonal patterns
discussion