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出走与坚守——试谈叶赛宁与他的意象艺术

Droping out and Holding on:a Discussion on Yesenin and His Imagery Art
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摘要 谢尔盖·叶赛宁是俄国意象派的重要发起者、组织者之一,且被拥为领袖,但后来毅然退出了意象派。叶赛宁的选择是对个人意象艺术的一种坚守,他所持的鲜明理念与坚定立场,使其意象艺术更接近艺术本源,并拥有更长久的生命力。本文试通过分析俄国意象派左右两翼主要代表人物在创作上的不同影响源,从共时之轴对比双方的创作理念差异,同时在事实层面结合叶赛宁对于俄国意象派的认识与选择,从历时之轴揭示叶赛宁的个人立场,进而有助于立体呈现叶赛宁的意象艺术面貌。 Sergey Yesenin was one of the important initiators and organizers of Russian imagism and was held as a leader,but later he resolutely dropped out.Yesenin’s choice represents a kind of adherence to the imagery art in his poetry.The distinctive ideas and firm position make his imagery art closer to the origin of art,and have infinite vitality.This paper tries to distinguish between creation thought of the left and right wings of Russian imagism by analyzing different influencing sources of their poetry through a synchronic perspective,as well as reveal Yesenin’s personal position through the diachronic perspective,combining with Yesenin’s opinions and choice about Russian imagism based on fact judgments which helps to comprehensively present the charactor of Yesenin’s imagery art.
作者 张芳丽 ZHANG Fangli(School of European Languages and Cultures,Zhejiang International Studies University,310023,Hangzhou,China)
出处 《北方工业大学学报》 2020年第4期105-109,119,共6页 Journal of North China University of Technology
基金 浙江外国语学院人才引进科研启动经费(090530022020)。
关键词 叶赛宁 意象派 意象艺术 Yesenin Imagism imagery art
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