《三国遗事》与《红楼梦》梦文化之阐释

Interpretation of Dream Culture in Heritage of the Three Kingdoms and A Dream of Red Mansions

《三国遗事》所记载的胎梦、神助之梦、神旨意之梦、佛法之梦、心想事成之梦、凡人脱俗之梦等,从微观角度反映了古代朝鲜民族的精神世界和传统。而《红楼梦》作者从宏观角度描写甄士隐、贾宝玉在梦中游“太虚幻境”,反映出封建社会的腐朽与衰落。梦,作为一种文化,又是文化的载体和道的载体,表现在《三国遗事》和《红楼梦》之中,其艺术形式与艺术价值将永远活在当下与未来。

The fetal dreams,dreams of divine assistance,dreams of divine will,dreams of dharma,dreams of ideals,and dreams of secularity,etc.recorded in The Heritage of the Three Kingdoms reflect the spiritual world and tradition of the ancient Korean nation from a micro perspective.The author of A Dream of Red Mansions describes Zhen Shiyin and Jia Baoyu s“Illusory Land of Great Void”in the dream from a macro perspective,reflecting the decay and decline of feudal society.Dream,as a kind of culture and a carrier of culture and Taoism,is expressed in The Heritage of the Three Kingdoms and A Dream of Red Mansions,and its artistic form and artistic value will always live in the present and the future.