摘要
互联网时代的电影越来越热衷于表述尼采的"永恒轮回"观,既有存在主义电影中的人生循环,更充斥着科幻类型电影的时间循环。前者在严肃文学思想继承的基础上产生蜕变,后者在科幻小说概念提取的前提下发生异化。整体观之,电影中的"永恒轮回"观,哲思在抽离,娱乐在注入。本文从尼采关于生命意义的哲学思考出发,通过研究"永恒轮回"观在文学中的分野,映射出电影中不同的发展维度,进而论述互联网时代电影中"永恒轮回"观的本质属性及其常存的原因。
The movies of the internet era is more and more keen on expression of Nietzsche’s concept of"eternal recurrence",with both the life cycle of existential film,and more science fiction type movie full of time cycle.The former is the transformation on the basis of serious literary thought,the latter is the dissimilation under the premise of science fiction concept extraction.Overall,the concept of"eternal recurrence"in the movie means the pulling away of philosophical thinking and the injection of entertainment.Starting from Nietzsche’s philosophical thinking about the meaning of life,this paper studies the concept of"eternal recurrence"and its differentiation in literature,mapping out the development dimensions on films,and then discusses the essential attribute of the"eternal recurrence"view and its reason in the movie of internet age.
出处
《南京师范大学文学院学报》
CSSCI
北大核心
2020年第2期129-138,共10页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
国家社科基金项目艺术学项目“中国电影改编研究”(编号:2019BC040)。
关键词
电影
尼采
永恒轮回
娱乐化
movies
Nietzsche
eternal recurrence
entertainment