20世纪韩国世态小说的叙事与美学转向--从《川边风景》到《无名花》

Change of Narration and Aesthetic Direction of South Korean Way-of-world Novels in 20th Century:A Case Study of Scenery of A Riverside and A Hidden Flower

韩国世态小说与20世纪韩国社会的发展紧密相关,20世纪30年代朴泰远的《川边风景》和20世纪80年代梁贵子的《无名花》都是韩国世态小说在不同时期的代表作品。两部作品在叙事空间、视角和价值表达上存在差异,但仍在表达方式、传递模式、逻辑范式上体现了独有的创作特征。同时在世俗性定义、主体意识和情感评价中存在因时而变的美学指向,呈现出不同时期世态小说所具有的人文意蕴和美学风貌。

The novels of ways of the world of South Korea are closely related to the development of Korean society in the 20th century.Park Tae-won's Senery of A Riverside in the 1930s and Yang Gui-ja's A Hidden Flower in the 1980s are both the representative works of such novels.Though different in narrative space,perspective and value expression,they demonstrate unique creative characteristics in expression,transmission mode and logical paradigm.In term of aesthetic direction,the secular definition,subjective consciousness and emotional evaluation change with the times,showing the humanistic implication and aesthetic style of such novels in different periods of time.