摘要
前言所谓"富而思乐,富而思文",近些年来,随着经济水平的不断增高,文化保护意识的不断增强,艺术品的收藏已经不再局限于国家层面,社会公众对于各类艺术品的收藏无论从种类或者规模上都逐渐趋向于丰富和体系化。然而对于多数民间收藏家来说,藏品的价值已然超越最初的增值意义,通过将藏品进行一系列的学术整理并且向公众展示,进而转向对文化传承的感悟和实践。秉承着发扬传统优秀文化的信念,各种民办博物馆如雨后春笋与公立博物馆并行发展,成为博物馆体系中不可或缺的组成部分。
Private museums are an important branch of the museum system.In the preservation of all kinds of excellent traditional Chinese culture that public museums have no time to take into account,private museums make up for the vacancy.Most private museums in China appear in the form of special museums,which reflect their particularity and specialization on the way of inheriting culture.Private museum is also called the non-state-owned museum,"refers to education,research,and appreciation for the purpose of collection,protection,and show the human activity and natural environment of the fence to the public,by using social forces or main use of non-state-owned assets such as cultural relics,specimens,data set,the registration by the registration administration organ according to the law of nonprofit organization."China’s private museums belong to the early stage of development,still facing a major test.This article through the author of suzhou fan museum field investigation,and then the private museums have some thoughts and prospects.
出处
《上海工艺美术》
2020年第2期94-96,共3页
Shanghai Arts & Crafts