西学中用 融会开新--阳太阳先生油画、水彩画艺术赏读

Innovation and Integration Based upon Borrowing from Western Culture:Mr.Yang Taiyangp’s Artistic Achievement in Oil Painting and Watercolor Painting

阳太阳先生是中国20世纪美术史上杰出的艺术家,在西学东渐的时代背景中,他不仅参与了社会的新思潮运动,同时也参与了“新美术”运动。阳太阳先生的艺术实践具有典型的时代特征,他在西方美术创作方面以油画和水彩为主,阳太阳先生晚期的艺术创作在外在形式与内在精神上则回归了中国绘画传统。阳太阳先生的油画艺术从受西方油画的影响到表现现实生活再到追求地域情感的转变,是他在艺术上回归本土文化的体现。阳太阳先生的水彩画艺术,早期以表现现实题材为主,他在水彩画创作中融入中国传统文化精神和审美特点,并以中国画的线条和构图方式表现桂林山水,使作品获得一种具有东方审美特征的视觉效果。

An outstanding artist in 20th century,Mr.Yang Taiyang not only participated in the movement of new social thoughts,but also participated in the movement of“new fine arts”.Mr.Yang Taiyang’s artistic practice is a typical product from the time he lived.His western artistic creation focused on oil painting and watercolor painting.Mr.Yang Yang’s late artistic creation returned to the Chinese painting tradition in the external form and internal spirit.Mr.Yang Yang’s artistic career began from the imitation of Western oil painting,then witnessed the expression of true life,and finally pursued for the vividly expression of localism,which is the symbol of his regression of local culture.In early time,Mr.Yang Yang’s oil painting were mainly mainly about realistic theme.His art of oil painting is characterized by the integration of Chinese traditional cultural spirit and aesthetic features.Furthermore,his oil paintings delineate the landscape of Guilin with the lines and composition of Chinese paintings,which gives his artistic works a kind of Chinese traditional aesthetic characteristics in the visual effect.