《牡丹亭》对才子佳人作品的叙事超越--以《红楼梦》为视角

The Narrative Transcendence of Peony Pavilion to the Works of Gifted Scholars and Beauties——From the Perspect of A Dream of Red Mansions

曹雪芹在《红楼梦》中对才子佳人故事予以批判的同时却多次提及《牡丹亭》这一才子佳人题材的代表作品,从《红楼梦》对于《牡丹亭》叙事主题和叙事结构的肯定,可知《牡丹亭》的叙事模式区别于传统才子佳人类作品。

While Cao Xueqin criticized the story of gifted scholars and beauties in In A Dream of Red Mansions,he repeatedly mentioned the representative works of Peony Pavilion.From the affirmation of the narrative theme and structure of Peony Pavilion by A Dream of Red Mansions,we can see that the narrative mode of Peony Pavilion is different from the traditional works of gifted scholars and beauties.