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“又见大唐”中的写经书法简论

A Brief Discussion on Calligraphy of Writing Sutra in“Seeing the Tang Dynasty Again”
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摘要 写经书法历来被书法理论家所忽视,在中国书法史和中国书法理论中少有提及。本人通过查阅大量资料、到敦煌藏经洞和写经院实地考察认为,写经书法在书法理论和实践方面的价值和意义至少包括四个方面:一是宗教与书法的相互影响;二是提供了隶变和草变重要转折期的书法墨迹;三是千年墨迹的出现,为帖学的研究提供了素材;四是对唐代小楷的源流和流派的重新认识。本文通过"又见大唐"展出的八件写经书法卷,简析写经书法的意义和艺术价值。希望通过对"又见大唐"的这八件写经书法展品的论述,使读者对大唐丰富的写经书法能有一个初步的认识和了解。 Calligraphic of writing sutra has always been neglected by calligraphic theorists and rarely mentioned in the history of Chinese calligraphy and the theory of Chinese calligraphy.Through consulting a large number of materials,the author’s on-the-spot investigation to the Dunhuang sutra cave and sutra writing institute,I believe that the value and significance of sutra writing in the theory and practice of calligraphy includes at least four aspects:First,the interaction between religion and calligraphy;The second is to provide the important transition period of scribe change and grass change calligraphy ink;The third is the emergence of the millennium inkblots,for the study of calligraphic ink provides material;Fourth,again recognize the origin and schools of regular script in small characters in Tang dynasty.This paper briefly analyzes the meaning and artistic value of calligraphy of writing sutra by"Seeing the Tang Dynasty Again"with eight calligraphy volumes of writing sutra.It is hoped that the exposition of these eight calligraphic exhibits of"Seeing the Tang Dynasty Again"will enable the readers to have a preliminary understanding of the rich calligraphic of writing sutra in Tang dynasty.
作者 吴熙雨 Wu Xiyu
出处 《理论界》 2020年第6期65-72,共8页 Theory Horizon
关键词 “又见大唐” 唐代 写经书法 "Seeing the Tang Dynasty Again" Tang dynasty Calligraphic of writing sutra
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