杜尚早期“现成品”与观念艺术的衍生

Marcel Duchamp’s Early“Readymade”and the Derivation of Conceptual Art

随着二战后“新前卫派”重拾达达派和超现实主义的“现实的策略”,杜尚作为“传统的发明”重新出场。杜尚早期“现成品”的制作遵循偶然性随机法则,这种偶发性使得这些作品成为具有独异性的艺术事件。同时,他将语文艺术重新纳入美术的范畴,打破了近代以来狭隘的艺术观,从而恢复了泛美术观念。作为“事件”和泛美术的“现成品”让杜尚寻找到不同于传统艺术的一种新的美、一种真正的诗性,并促发了观念艺术的衍生。

Marcel Duchamp came back to play a role in the art field as the case of“the invention of tradition”with“New Avant-Gardes”adopting the“strategy of dealing with the reality”of Dadaism and Surrealism after World War II.The making of Marcel Duchamp’s Early“Readymade”follows the principle of occurrent fortuitous which makes these works the art event of singularity.Meanwhile,he brought the literature into the category of fine art and reactivates the fine art in broad sense so as to eliminate the concept of art on narrow sense from the Renaissance.The“Readymade”of the fine art in broad sense as the“event”makes Marcel Duchamp search out a kind of new beauty and authentic poetic and results in the derivation of conceptual art at last.