论柳永词的叙事艺术

On Liu Yong’s Narrative Art

柳永词叙事以“人面桃花”式结构为主,呈今—昔—今的事情脉络,以“事在词内”为主要特点,叙事上有片段化、细节化倾向。柳词叙事艺术渊源远尚敦煌曲子词中对日常生活的叙写,近承晚唐五代词中的叙事艺术,也有自身特殊的时代性。既要肯定叙事性对柳词传播的积极作用,对小说、戏曲等在内容、结构上的深远影响,也要认识到柳词因为叙事过于通俗化而在当时的官僚社会中处处碰壁,其诗歌地位与成就也因此受到限制。

Liu Yong’s narration is based on the structure of“Peach-blossom face”,presenting the context of the“presen-past-present”,mainly characterized by the“things in the words”.And his narration tends to be fragmented and detailed.The narrative art of Liu Yong derives from the narration of the daily life in Dunhuang melodies and inherits the narrative art of the Five Dynasty and the late Tang Dynasty.It also has its own special times.We should affirm the positive effect of the narrative among the spread of Liu Yong’s words and the far-reaching influence on the content and structure of novels and Chinese operas.And it is also important to recognize that Liu Yong’s words have been rejected in the bureaucratic society at that time because the narration is too vulgar,so the status and achievement of his poetry is limited.