摘要
产生于中华文化土壤的现象级哪吒题材动画电影《哪吒之魔童降世》具有丰富的道教文化内涵。借助先进的影像技术,通过对道教思想的形象化呈现、对神仙道士的影像化表达、对道教仙境的审美化再现,《哪吒之魔童降世》将形上抽象的道教思想创意性地运用到形下具象的影视作品中。《哪吒之魔童降世》的道教思想主要表现在我命由我、符箓咒语、道教仙境三个方面。编导将道教文化元素和奇幻玄妙的影像融为一体,这也是对中华优秀传统文化进行创意性运用和创造性转化的典范。
Created based on Chinese culture,there are plenty of Taoist cultures contained in the phenomenal animated film NE ZHA:I am the Destiny(Directed by Jiaozi,2019).With the help of advanced imaging technology,NE ZHA creatively applies the abstract Taoist thoughts in form to the films and television works by the ways of visual presenting the Taoist thoughts,image-based expressing of Taoist immortal and priest and aesthetic representing of the fairyland.The Taoist thoughts of NE ZHA are mainly manifested in three aspects:I am the destiny,talisman and incantation,Taoist fairyland,etc.It is also a model of creative application and transformation of Chinese excellent traditional culture.
作者
袁方明
YUAN Fangming(Institute of Taoism and Religious Culture, Sichuan University, Chengdu, Sichuan 610065)
出处
《绵阳师范学院学报》
2020年第7期141-146,共6页
Journal of Mianyang Teachers' College
关键词
《哪吒之魔童降世》
道教思想
我命在我
符箓咒语
道教仙境
NE ZHA:I am the Destiny
Taoist thought
I am the destiny
talisman and incantation
Taoist fairyland