民族·革命·记忆——20世纪“渡黄河”的图像策略与内涵表征

Nation·Revolution·Memory:the Image Strategy of the Art Theme Crossing the Yellow River in the 20th Century and Its Signification Expression

本文结合史事、观念与话语,对"渡黄河"这一主题图像的视觉呈现策略加以阐释并指出,在观念层面上,"渡黄河"背后镌刻着中华民族、人民大众和革命的价值观,它直接地与国族象征、革命主义联系在一起。对于有前线经历的艺术家,他们结合自身体验呈现了渡河的过程。而那些没有前线经历或当时生活经验的艺术家,在回溯与建构时,则借助了能够唤起普遍认同与感知的中间媒介。

On the basis of history,concept and discourse,this paper explains the visual presentation strategy of the image "Crossing the Yellow River" and points out that the image reflects the values of the Chinese nation,the Chinese people and the revolution in an in-depth manner,which is directly associated with national symbolism and revolutionism. For artists who fought in the war,they depict the process of crossing the river based on their own experiences. While for artists who did not fight in the war or even are not from that period of time,they draw support from intermediate media that are able to evoke universal recognition and perception through their retrospect and depiction.