剧可以兴:作为诗化戏剧的《屈原》

Play Can be Enjoyed:Qu Yuan as a Poetic Play

《屈原》是郭沫若在1940年代的代表作,该剧作试验并完善了诗化戏剧的独特形式。他以"剧可以兴"为创作方法,让该剧具有强烈的诗化色彩,这表现为语言的诗化和散文化、强烈的抒情性和情境化三个特征。从《棠棣之花》的版本演变可见,郭沫若的诗化戏剧是从五四以来逐渐试验完成的。《屈原》的诗化特征,是1940年代文学形式创新的一部分。诗化戏剧与情节剧构成的张力,让该剧具有寓言性,其主题的内在分裂是转折时期知识分子内在丰富性的表征。

Qu Yuan is Guo Moruo’s representative play in 1940 s,which creates and perfects the unique form of poetic play.Guo Moruo’s creation method of"drama can be enjoyed"makes the play have a strong poetic color,which shows three characteristics of poetic language and prose culture,strong lyricism and contextualization.From the version evolution of Tangdi Flower,we can see that Guo Moruo’s poetic play has been gradually tested and completed since the May 4 th Movement.The poetic feature of Qu Yuan is a part of literary form innovation in 1940 s.The tension between poetic play and melodrama makes the play allegorical.The internal division of its theme is the token of the internal richness of intellectuals in the turning period.