摘要
审美人类学置于当代中国学术语境的建设发展面临三大关键性的问题。其一,人类学转向不仅表现在审美研究的学理层面,审美创作活动同样表现出类似的特征。其二,现有教育模式导致年轻学者难以真正拥有实地性田野调查的经验,连接人类学与美学两大学科至关重要的中介难以有效落实。其三,人类学衍生出的交叉学科种类纷繁,缺乏明晰的学科区分意识,研究对象和方法长期处于彼此混用的状况,审美人类学的建设遭到一定程度的滞缓。回归学理,系统审视国内审美人类学演进历史,是这一新兴学科健康发展的重要保证。
The construction and development of aesthetic anthropology in the context of contemporary Chinese academic terminology faces three key issues.First,the anthropological turn is not only manifested in the academic level of aesthetic research,but also the aesthetic creation activities exhibit similar characteristics.Second,the existing education model makes it difficult for young scholars to truly have field experience in field investigations,and it is difficult to effectively implement the intermediary that connects the two disciplines of anthropology and aesthetics.Third,there are many types of interdisciplinary disciplines derived from anthropology.Due to the lack of clear disciplinary consciousness,the research objects and methods have been mixed for a long time,and the construction of aesthetic anthropology has been delayed to a certain extent.Returning to academic principles and systematically reviewing the evolutionary history of domestic aesthetic anthropology are important guarantees for the healthy development of this emerging discipline.
作者
阎方正
YAN Fang-zheng(School of Chinese Language and Literature,South China Normal University,Guangzhou 510006,China)
出处
《江科学术研究》
2020年第2期91-96,共6页
Academic Research Of JXUT
关键词
审美人类学
田野调查
学科边界
审美创作
人类学转向
Aesthetic Anthropology
Fieldwork
Disciplinary Boundary
Aesthetic Creation
Anthropological Turn