泉州南音“百鸟归巢”的音乐美学特征

Musical Aesthetic Features of Quanzhou Nanyin's Hundred Birds Returning to Their Nest

《百鸟归巢》是泉州南音“四大名谱”之一,简称“归巢”,也有部分手抄古本称之为“百鸟”,其演奏技法特殊,曲调婉约,结构讲究阴阳和鸣,体现出了中国传统的音乐美学。该曲常作为南音会唱的结束曲,称为“煞谱”,并借“宿鸟归飞”的音乐意境,寄托了客居他乡的游子对故国家园无限的怀念和深深眷恋,是泉州南音“谱”的典范,世代传承,久盛不衰,具有深厚的音乐文化内涵。

“The Return of Hundred Birds to Their Nest”is one of Quanzhou Nanyin’s“Four Famous Names”,abbreviated as“Return to Nest”.Some hand-copied ancient books are also called“A Hundred Birds”.Their special performance techniques,graceful and restrained tunes,and exquisite structure of yin and yang and singing embody the traditional Chinese music aesthetics.This song is often called"evil music"as the ending song of the Southern Music Association.By means of the musical artistic conception of"birds returning to fly at night",this song expresses the infinite nostalgia and deep attachment of the travelers living in other countries to the homeland of the old country.It is a model of Quanzhou Southern Music"music".It has been passed down from generation to generation and has been prosperous for a long time.It has profound musical cultural connotation.