摘要
综合观察各类学术展览活动,可以发现近10年来的中国当代艺术展览的空间观念主要呈现以下几方面的趋向,主要表现可以概括为:绘画作品展陈的空间化和装置化;作品与场所的意义叠加、独立空间的兴起;扩展场域的展览:作品和展览的跨媒介性与在地性;走向虚拟空间。这四个面向既可作为未来写作的提纲,亦可作为分析当下问题的切入点。它们正说明了自2010年以来,中国当代艺术的展示空间与作品的关系悄然发生的转变,以及由策展性实践引发的展览空间的扩展。
By comprehensively observing various academic exhibition activities,it can be found that the spatial concept of Chinese contemporary art exhibitions in the past 10 years mainly presented the following trends,and the main performance can be summarized as:the spatialization and installation of the exhibition of paintings;the superposition of meanings and the rise of independent space;exhibitions that expand the field:the cross-media and locality of works and exhibitions;going to virtual space.The four aspects can be used as an outline for future writing and as an entry point for analyzing current problems.They have demonstrated the changes that have taken place in the relationship between the exhibition space and works of Chinese contemporary art since 2010,as well as the expansion of the exhibition space caused by curatorial practice.
出处
《当代美术家》
2020年第3期24-27,共4页
Contemporary Artists
关键词
展览空间
场域
跨媒介
exhibition space
site
cross-media