“在地性”与“民间化”的转向、挑战——有关“近十年来中国当代艺术创作的主要观念及动向”论坛

The Transformation and Challenge of“In-site”and“Popularization”--The Forum of Concepts and Trends of Chinese Contemporary Art Creation in Recent 10 Years

本篇文章是对于"近十年来中国当代艺术创作的主要观念及动向"论坛的思考。笔者基于一种艺术史分期的合理性角度,先梳理了金融危机过后的2009年到2019年间当代艺术市场的变化。其次,我们发现在这十年的低迷的当代艺术市场经济中,长时间被经济主导的当代艺术中被遮蔽的项目式艺术开始盛行,它们呈现出"在地性"与"民间化"的倾向。这种倾向瓦解了此前二元对立的话语模式并书写了一种新的当代性,然而当代性与危险并存--它们又面临着被庸俗化与被规训的危机。因此近十年来中国当代艺术呈现"在地性"与"民间化"转向与被庸俗化与被规训的挑战并存的局面。"近十年来中国当代艺术创作的主要观念及动向"论坛展现的是一种辩证的思考,以此希望引起更广泛的讨论。

This article is a reflection on the forum of Concepts and Trends of Chinese Contemporary Art Creation in Recent 10 Years.Based on the rationality of an art history phase,the author first teased the changes of the contemporary art market between 2009 and 2019 after the financial crisis.Secondly,we find that during the decade of the depressed contemporary art market economy,project-based art,which has long been obscured by economic-led contemporary art,began to prevail,showing a tendency of"in-site"and"popularization".This tendency disintegrated the previous binary opposing discourse patterns and wrote a new contemporaneity,yet contemporaneity and danger coexisted—they were faced with the crisis of vulgarization and discipline.Therefore,in the past ten years,Chinese contemporary art showed the orientation of"in-site"and"popularization"and the situation of being vulgarized and disciplined.The forum Concepts and Trends of Chinese Contemporary Art Creation in Recent 10 Years presented a dialectical thinking in the hope of generating a wider discussion.