摘要
对于李松林而言,他始终坚持"合理的材料应该用在合理的地方"。虽然玻璃是他艺术创作中不可回避的一部分,但是这仅是他创作的主要材料而并非全部。同时,他又是个"不安分"的艺术家,工艺美术、雕塑、绘画、行为艺术、影像、动画、电影……他都有涉足。他把材料、媒介本身的属性从创作中抽离出来,集中放在想法、观念上,他的"创作欲"永无止境。
Li Songlin always persists that materials should be put in an appropriate place.Although glass is inevitable in his creation,it’s just an important part rather than the whole.Meanwhile,he engages in a diverse fields,including arts and crafts,sculpture,painting,performance art,video,animation and movie.The attributes of the material and medium are deprived in his creation,and then he focus on his own concepts.He has a strong creative impulse.
作者
李松林
李昆绩
Li Songlin;Li Kunji
出处
《当代美术家》
2020年第3期74-77,共4页
Contemporary Artists
关键词
玻璃
影像
工艺美术
观念艺术
glass
video
arts and crafts
conceptual art