论审美心理感动是诗情之母(接上期)

On the aesthetic psychology of touching being the cradle of poetic feelings(continued)

诗立身的现实基础是社会现实生活,无此根底则不会有诗。但生活变成诗,一个根本原因是诗人对生活发生审美心理的感动,从而在情思上形成喜怒哀乐的心情感应,赋之以语言或文字外化,则成为诗词歌赋的作品。由于作用于诗人的生活状态不同,诗人感动的心理层面不同,随之在感动的类型上也出现了不同的实践范畴。在诗史上所见的诗化感动中,诸如感时、感世、感遇、感旧、感愤、感悟、感伤、感怀等诗情的侧重表现,都是诗人审美心理动能作功的实际实现。

The realistic foundation of getting on in the world through poetry is the real social life otherwise poems will not be born.However,one of the fundamental reasons of the transformation from life to poems is that the aesthetic psychology of the poet is touched by life.This emotion accordingly becomes the feelings of joy,anger,sorrow as well as happiness,externalizes in the form of language or words,and becomes the works of poems and songs.The poets’psychological levels of touching are different because their effects upon the living conditions of the poets are different,thus appear different practice categories resulting from different types of touching moments.In the poetic feelings seen from the history of poetry,such feelings as the feelings to the world,to the changes of situation,to the fates,to the old time,and the feelings of indignation,of comprehension,of sadness and of sentiments,which are all the practical realization of the energetic function of the poets’aesthetic psychology.