《青春禁忌游戏》悲剧色彩分析研究

A study on the tragic color of taboo games of youth

日本剧作家服部佳曾指出:“电影用80个场面表演的内容,电视剧只需用30-50个场面就可以了,而到了戏剧中,同样的内容,只用4个场面就够了。”在戏剧场面的艺术中,剧本是戏剧演出思想质量和艺术整理得以保证的前提,《青春禁忌游戏》无疑是个好剧本。1983,这个戏在圣彼得堡首演便被禁,7年后才解禁可以演出,此后,迅速传到欧洲,成为西方世界戏剧演出的一时之热。《青春禁忌游戏》以一场孩子们的“游戏”为依托,将社会善恶、生活美丑搬上了舞台,赤裸裸的展现给观众看。这是一部批判现实主义的戏剧,虽然名字开宗明义是青春,实质上,主题已经远远的超出了青少年教育的范畴,用师生矛盾,演绎了人世间的人性美丑。

Japanese playwright Yoshio Takeshi pointed out that"the content of 80 scenes is used in the movie,30-50 scenes are used in the TV play,while in the drama,only 4 scenes are enough for the same content."In the art of drama scene,the premise that the ideological quality and artistic arrangement of drama performance can be guaranteed is that the youth taboo game is undoubtedly a good script.In 1983,the play was banned for its first performance in St.Petersburg,and it was released for performance seven years later.After that,it quickly spread to Europe and became one of the hottest theatrical performances in the western world.Based on a children's"game",in essence,the theme has gone far beyond the scope of youth education.It demonstrates the beauty and ugliness of human nature with the contradiction between teachers and students.