摘要
士人尚游历,在晚明时期成为社会上的一股显著风气,士人游历之风的盛行尤其对当时的戏曲创作与发展具有明显影响。主要体现在:一、晚明戏曲家士人群体多有尚游之举;二、晚明戏曲在题材和内容择取上多具备士人角色游历描写要素;三、晚明戏曲从文体到结构都因此产生新的变化。晚明戏曲结撰所涉及运用的游历描写模式,不但符合古典戏曲叙事机制的要求,同时也表现其审美艺术特征。
The rising fashion of travel among literati during the late Ming period significantly influenced the creation and development of xiqu. As many late-Ming playwrights shared great interest in travel, the choice of xiqu’s theme and content also included portrayals of travel experiences. As a result, xiqu developed new features in its style and structure during this period. The model of portraying travel experiences in xiqu during the late-Ming period not only accorded with the requirement of xiqu’s narrative mechanism, but also displayed its aesthetic characteristics and artistic features.
作者
杨骥
Yang Ji(College of Humanities,Guangzhou University)
出处
《文艺理论研究》
CSSCI
北大核心
2020年第4期102-113,共12页
Theoretical Studies in Literature and Art
基金
中国博士后科学基金资助项目“科举文化与明代戏曲互动研究”[项目编号:2016M590332]的阶段性成果。
关键词
士人游历
晚明戏曲
影响
审美
the fashion of travel among literati
xiqu during the late-Ming period
influence
aesthetic characteristics