廖燕“愤气”说及其文学实践

The Dual Manifestation of "Indignation"Hypothesis in Liao Yan’s Literary Practice

廖燕的《二十七松堂集》在中国古代文学史上独树一帜,其中“愤气”说在中国古代文学创作动力理论中占有重要地位。“愤气”说将主体性情与审美风格相贯通,提出多元并存的审美主张,完善了文学创作动力理论中关于风格论的阐述。《二十七松堂集》中的文学实践展现出的双重审美风格,也为“愤气”说提供了实践支撑。

In the history of ancient Chinese literature,Liao Yan's Er Shi Qi Songtang Anthology is unique,among which theory of“indignation”an important role in the theory of creative motive force of ancient Chinese literature creation.The theory of“indignation”combines the expression of emotion and the aesthetic style of the subject,and puts forward the multiple co-existing aesthetic ideas,which perfects the explanation of the theory of style in the dynamic theory of literary creation.At the same time,the dual aesthetic style in Liao Yan's literary practice of Er Shi Qi Songtang Anthology also provides practical support for the theory of"indignation".