近代报刊诗话的文体观念及变革转型--以邵祖平、陈衍、王揖唐、黄侃、俞陛云等为考察中心

Stylistic Concept and Transformation of Notes on Poets and Poetry of Modern Press:With a Focus on Shao Zuping,Chen Yan,Wang Yitang,Huang Kan and Yu Biyun

历代诗话是中国古代文体理论的渊薮,而近代报刊诗话则是近代文学及历代诗话的重要组成部分。由于其所具有的融合古今中西文学文化的时代特色,近代报刊诗话也成为“诗话学”及“文体学”由传统向近现代转型的一个标志。近代报刊诗话中的文体观念主要由“先体格而后神致”的“体制为先”辨体理论、分类与辨体的批评实践、“以文为诗”“以诗为词”“以古入律”的破体观念、“变而不失其正”的辨体通变观,以及“文章与世运递降”的文体发展论等几个方面构建而成。

Notes on poets and poetry of the past dynasties is the source of ancient stylistic theory in China,while notes on poets and poetry of modern press is an important part of the modern literature and the notes on poets and poetry of the past dynasties.Because of its characteristics of integrating ancient and modern Chinese and Western literature and culture,it has also become a symbol of the transition of the“study of notes on poets and poetry”and the“study of stylistics”from tradition to modern times.The stylistic concepts in the notes on poets and poetry of modern press include the following aspects:the stylistic analysis theory of“style in the first place and the charm in the second”;the critical practice of the stylistic classification and stylistic analysis;“to compose poetry in the manner of prose”,“to compose ci in the manner of poetry”and“to compose metrical poems in the manner of the ancient body of poetry”in the broken style of ideas;the stylistic dialectic view of“changing without losing integrity”;and the stylistic development theory of“articles changing with the times”.