摘要
从写意花鸟画的脉络变迁、构思构图、创作技巧三个方面展开论述,研究探讨写意花鸟画的传统技法和文化精神,目的是“师古不拟古”,提倡创新精神,努力创作题材新、技法新、形式新、寓意深,能够讴歌新时代的艺术佳作.
The article mainly discusses the three aspects of freehand flower and bird paintings:the contextual changes,the concept composition,and the creation skills.The purpose of studying the traditional techniques and cultural spirit of freehand flower and bird paintings is to“learn from but not copy the ancients”,and promote the spirit of innovation,make great efforts to create good art woks with new themes,new techniques,new forms,and deep meanings.
作者
张丽波
连晓红
ZHANG Libo;LIAN Xiaohong(School of Fine Arts,Anshan Normal University,Anshan Liaoning 114007,China)
出处
《鞍山师范学院学报》
2020年第4期81-84,共4页
Journal of Anshan Normal University
关键词
写意花鸟画
脉络变迁
构思构图
创作技巧
Freehand flower-and-bird painting
Change of context
Concept composition
Creative technique