后现代性中的乡土美学关照--舞剧《香巴拉》的美学呈现

The Coexistence of Postmodernism and Local Aesthetics:The aesthetic presentation of Shambhala

藏族舞剧《香巴拉》以舞蹈剧场为表现方式,采用后现代主义美学中克制与悖逆的身体表达、极简的舞美风格,加之对藏族传统文化孕育下的乡土美学的关照,很好的将中西、古今美学风格融汇于作品之中。打破了学院派藏族舞蹈表现方式,采用慢而舒缓的叙事节奏,"冷"审美的舞台基调,以跨文化的审美意识对传统藏族文化进行了当代阐释。

Shambhala Tibetan dance drama is presented as dance theater,in expression of postmodern aesthetics characterized posture,with restraint,disobedience,and minimalist style,since it includes the local aesthetics,which has been nourished under Tibetan culture throughout,seamlessly integrated with Chinese and western,ancient and modern aesthetic into the performance.Breaking through the expression of Academics/oldschool Tibetan Dance as it flows slow,keynote of performance is established as "cold" Aesthetics,meantime,with a interpretation of traditional Tibetan culture based on cross-cultural aesthetic consciousness is well elaborated to the audience.