摘要
唐卡是中国藏族传统文化独有的艺术形式,已经拥有一千多年的发展历史。近年来,唐卡市场的繁荣却难掩其发展中的一些问题。一部分是文化缺失;另一方面,唐卡艺术的教学目前还处于一个小众化的文化圈之中,除了民间地方唐卡传承点和几所高等专业院校外,很难找到学习唐卡绘画与制作研习的地方。很多热爱唐卡艺术的受众缺少文化体验和互动,无法近距离接触到唐卡作品;基于唐卡艺术的传承、保护与发展现状,也基于"互联网+"的时代背景,我们需要对唐卡文化艺术的传承发展方式提出新的思考。
As the unique art form of traditional Chinese Tibetan culture,Tangka has more than a thousand years of development history.Although Tangka market has been prosperous in recent years,it has some development problems.On the one hand,the culture has been lacked.On the other hand,it is hard to find a place to learn,paint,make and practice Tangka except for local Tangka inheritance places and several higher specialized colleges,because teaching of Tangka art is just limited to a small cultural circle.Many audiences who love Tangka art have no cultural experience and interaction,thus they fail to keep close contacts with Tangka works.Based on inheritance,protection and development situation of Tangka art,it is required to propose new inheritance and development modes of Tangka art in the context of"Internet Plus" era.
出处
《西藏艺术研究》
2020年第2期41-45,共5页
Tibetan Art Studies
关键词
唐卡
数学建模
互动鉴赏
VR展览
Tangka
mathematical modeling
interaction and appreciation
VR show