电影《误杀》中的符号映射与人性思考

Symbol mapping and human nature thinking in the film"manslaughter"

改编自印度电影《误杀瞒天记》的《误杀》于2019年底在国内上映,成为了截至2020第一季度为数不多的票房与口碑双收的一匹黑马。作为一部强叙事的悬疑电影,将除暴安良的正义感与法律制裁的纠葛与权衡以一种符号映射的方式呈现给观众,充满着对人性的思考与哲学的反思。本文将从影片中的符号映射,社会阶层建构以及原生家庭环境设定来分析其对人性的哲学反思。

Adapted from the Indian film"the story of killing by mistake and concealing the sky",the film"the killing by mistake"was released in China at the end of 2019,becoming one of the few black horses with both box office and public praise by the first quarter of 2020.As a strong narrative suspense film,it presents the entanglement and balance between the sense of justice and legal sanctions to the audience in a way of symbol mapping,full of reflection on human nature and philosophy.This paper will analyze its philosophical reflection on human nature from the perspective of symbol mapping,social class construction and the setting of original family environment.