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明清时期青花山水画中山石画法的比较研究

A comparative study of the painting methods of mountains and stones in the blue and white landscape paintings in the Ming and Qing Dynasties
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摘要 元朝时期,青花还是处于模仿国画画法的时期,到了明清时期,青花真正开始形成自己独特的艺术语言。本文以传世的青花考古资料作为基础,用经典的青花山石构图法则以及笔法等作为总结,探析明清时期青花山石的画法演变,以期日后从事青花创作的朋友起到学习的价值。 in the Yuan Dynasty,blue and white were still in the period of imitating traditional Chinese painting.In the Ming and Qing Dynasties,blue and white began to form their own unique artistic language.Based on the archaeological materials of blue and white handed down from ancient times,this paper analyzes the evolution of the painting methods of blue and white stone in Ming and Qing Dynasties by using the classical composition rules and brushwork of blue and white stone,hoping that the friends who are engaged in blue and white creation in the future will have the value of learning.
作者 赵中良 Zhao Zhongliang(Jingdezhen Ceramic Art Research Institute,Jingdezhen City,333000)
出处 《陶瓷研究》 2020年第3期112-115,共4页 Ceramic Studies
关键词 青花 山石 画法 创作 blue and white stone painting creation
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