郴州八景的历史考述及旅游价值探析

The Historical Investigation and the Analysis of Its Tourism Value of Chenzhou Eight Scenes

自魏晋南北朝出现“八景”文化以来,中国人便爱评定八景。至宋,宋迪的《潇湘八景图》是八景文化的里程碑,其后各地八景层出不穷,郴州作为湘南的偏远小城也不例外。笔者通过文献考究了古郴州八景(旧称郴阳八景)的文化起源,梳理了其名下各景点于古代流传至今的诗文记载及历史发展,根据历史提出其深层文化价值及旅游利用。郴阳八景为苏仙云松、北湖水月、南塔夕照、东山一览、鱼绛飞雷、香山瀑布、圆泉香雪、龙泉烟雾,各景点诞生时间不同,景点均被记载于晋代至元代名家诗词文作或历史文献中,经古文献考究笔者认为郴阳八景确定于元朝。中华民族的文化自信响应在全国各地,郴阳八景作为郴州古代历史文化最大标签,应做到本地普及性宣传,向四周进行辐射性影响,因此选择借助旅游价值为中介以达到传统文化普适性宣传目的。

Since the emergence of the"Eight Scenes"culture in the Southern and Northern Dynasties,the Eight Scenes was evaluated frequently in China.Song Di's"Eight Scenes of Xiaoxiang"was a milestone in the culture of eight sceneries in Song dynasty.Since then,eight sceneries have appeared in various places.Chenzhou is no exception as a remote town in southern Hunan.The author has studied the cultural origin of the ancient Chenzhou Eight Scenic Spots(formerly known as Chenyang Eight Scenic Spots)through literature,combed the poetic records and historical development of various scenic spots under its name from ancient times to the present,and put forward its deep cultural value and tourism utilization based on history.The eight scenic spots in Chenyang are Su Xianyunsong,Beihu Lake,Nanta Xizhao,Dongshan at a glance,Yujiang Feilei,Xiangshan Waterfall,Yuanquan Xiangxue,Longquan smog.The birth time of each scenic spot is different.In poems,essays,or historical documents,the authors believe that the eight sceneries of Chenyang were determined in the Yuan Dynasty.The Chinese nation’s cultural self-confidence responds to all parts of the country.As the biggest label of Chenzhou’s ancient history and culture,the eight scenic spots in Chenyang should be popularized locally and have a radiating influence around them for propaganda purpose.