苏轼书论思想与现代设计的审美共通性

The Aesthetic Commonality Between the Thought of Su Shi’s Calligraphy and Modern Design

苏轼作为北宋书坛的领军人物与中国文化史上的巨擘,其不仅精通诗词与文赋,而且擅长书法与绘画。他重视书法创作理论,其书论多集中于他的题跋或散论中,观念自成体系、主旨明确,其中论理、论意、论法、论评所蕴含的美学思想对当代艺术创作有着极为深刻的启示意义。通过分析苏轼书论核心思想与现代设计审美的共通性,借此确立对古代艺术理论成果的关注,倡导构建具有传统文化特色的设计体系。

Su Shi is a cultural leader in the Northern Song Dynasty,and a rare giant in the history of Chinese culture.Su Shi was not only proficient in poetry and Wen Fu,but also good at calligraphy and painting.He attached importance to calligraphy,which could be found mostly in his inscription or essays,logic,artistic conception,design rule and comment in the calligraphy.They have the effect of evaluation on artistic creation.The study takes the commonality between design method and Calligraphy aesthetics,in order to establish attention to the theoretical achievements of ancient art and establish a design system with national cultural characteristics from a unique perspective.