韩愈古文“修辞明道”的路径生成

The Path Generation of“Diction Polishing and Tao Manifesting”in Han Yu’s Classical Proses

“修辞明道”是韩愈研究中的一个重要论题,但论者多未重视韩愈古文“修辞明道”的具体路径,“修辞明道”事实上变成了孤立的“明道论”或“修辞论”。对韩愈古文文本细读的基础上结合相关理论具体分析韩愈文章“修辞明道”的路径生成,即韩愈如何提出“辞事相称,善并美具”的文道统一标准,“约略六经之旨而成文”的宗经而造经之追求,批判继承和超越八代以来的骈文和“时文”,醇而后肆终至大成。这既扭转了六朝文章的创作方向和审美理想,又确立了中唐之后散文创作的新范式,突出以韩愈作品及其实际创作过程来揭示这一古典文化综合创新的路径。

“Diction polishing and Tao manifesting”is an important topic in the researches on Han Yu,however,many scholars have not paid enough attention to the specific path of“diction polishing and Tao manifesting”in Han Yu’s classical proses.“Diction polishing and Tao manifesting”has actually become an isolated theory of“diction polishing theory”or“rhetoric theory”.Based on the careful reading of Han Yu’s classical proses and combining the related theories,this paper conducts a specific analysis of the path generation of“diction polishing and Tao manifesting”in Han Yu’s classical proses,i.e.,how did Han Yu put forward the unified standard of literary and moral principles of“proportional rhetoric,combine goodness and beauty”,pursue the way that following the classics then creating classics as his words of“summarizing the essences of the Six Classics before composing”,criticize,inherit and surpass the parallel rhythmical proses and the“eight-legged essays”through the eight generations,and then become mellowed into success.This not only reversed the creative direction and aesthetic ideals of the articles of the Six Dynasties,but also established a new paradigm of prose creation after the Middle Tang Dynasty,highlighting Han Yu’s works and his actual creation process to reveal this path of comprehensive innovation of classical culture.