摘要
塞尚作为后印象主义的代表人物,推动了欧洲传统绘画艺术的变革,为立体主义、象征主义和抽象主义等现代艺术的出现和发展提供了可能。文章主要针对塞尚作品的画面元素展开讨论,分析其独特的观察方法和其如何把绘画作为自我与客观世界相互联系的桥梁。
Cezanne,as a representative of Post Impressionism,promoted the transformation of traditional European painting art,and provided the possibility for the emergence and development of modern art such as cubism,symbolism and abstractionism.This paper mainly discusses the elements of Cezanne’s paintings,analyzes his unique observation methods and how he regards painting as a bridge between himself and the objective world.
作者
杨韬
YANG Tao(Anhui Normal University,Wuhu 241003,China)
出处
《哈尔滨学院学报》
2020年第8期114-116,共3页
Journal of Harbin University
关键词
塞尚
笔触
画面元素
Cezanne
brushwork
picture elements
