论《金瓶梅》的“戏谑”艺术

On the Art of“Banter”of Gold Vase Plum

伴随着思想解放的大潮,明中叶审美理想、审美趣味发生了结构性的变化,汤显祖的“意、趣、神、色”创作主张,李贽“天下文章当以趣为第一”的惊世宣言,深刻影响着小说和曲词的创作,《牡丹亭》、《西游记》、《金瓶梅》可见一斑。文人们对生活开始持有一种娱世乐生的潇洒心态,追求“趣味”、“意兴”,积极寻求文学的审美情趣和审美愉悦。论文以世情书《金瓶梅》为代表,就小说的“戏谑”艺术作些粗浅探讨。

With the tide of thought liberation,that period structural changes have taken place in the aesthetic ideal and aesthetic interest,Tang xianzu's“meaning,interest,spirit,color”creation,li zhi“all articles as interesting as the first”in the declaration,profoundly influenced the novels and the creation of the word,“the peony pavilion”,“journey to the west”,“jin ping mei”.Literary people began to hold a kind of entertainment of life of the natural and unrestrained mentality,the pursuit of“interest”,“interest”,and actively seek for literary aesthetic interest and aesthetic pleasure.This paper takes the love letter of the world“the golden vase plum”as the representative,makes some shallow discussion on the novel“the banter”art.